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- Bäckström, Åsa, 1966-
(author)
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Good ethnography smells bad : On aesthetic experience in qualitative research
- 2008
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In: Sveriges antropologförbunds årliga konferens (SANT).
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Conference paper (peer-reviewed)abstract
- Aesthetic learning processes are being notified in current Swedish pedagogical research. The philosophical term aesthetics is used in multiple modes, some of them borrowing an agenda from the studies of fine art, some more with inspiration from cultural studies and popular culture. In this emerging field both ethnography and every-day-aesthetics are in focus. Despite new ways of doing ethnography the results still tend to look (!) like traditional ethnography. Field-notes saturated with sensuous and stinking data; e.g. moist socks, sweaty t-shirts and car fumes, still tend to depend upon written texts and photography as scientific proof. Moreover ethnography is still judged against a positivistic framework drawing from natural science. Is a change required? And in that case, can the future of visual anthropology challenge this hegemonic scientific paradigm?
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| 2. |
- Bäckström, Åsa, 1966-
(author)
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Style in physical activity
- 2008
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In: Bonds and Communities. Young people and their social ties.. ; , s. 58-
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Conference paper (peer-reviewed)abstract
- Aesthetic expressions in youth culture have been studied extensively. For the British CCCS and its followers the concept of style is regularly used to explain dress codes, hair fashion and other physical appearances. Sub culture is an often-used term, which enclose these types of expressions, in addition frequently connected to certain kinds music. Lately a growing number of studies on sub culture and sport have been presented. This implies an interest in a slightly different aspect of style – the one focusing more on style in physical activity. The leaderless boarding culture revolves primarily around style and physical bodily activity, in contrast to punk for example, which is held together by style and music. Thus it can be argued that identity through board sports is more clearly incorporated through physical performance. This presentation attempts to fill some of the gap in research around style in physical activity. It focuses bodily aesthetic expressions in skateboarding and the concept of style in relation to the moving body. Style in both senses mentioned above, communicates and creates both bonds and communities. Building on empirical studies on skateboarding in Sweden between 1978-2002, it is argued that also style in physical activity is significant for the construction of cultural and social values. Moreover style in this sense has a highly performative aspect.
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| 3. |
- Bäckström, Åsa, 1966-
(author)
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Aesthetic learning processes – feelings and sensations of skate- and snowboarding
- 2008
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In: Designs for learning. ; , s. 1-
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Conference paper (other academic/artistic)abstract
- Skateboarding and snowboarding are practices loaded with symbolic expressions. They are also activities profoundly understood as physical. This paper will investigate the narrated impressions of these activities – in other words the expressions of impressions. Skateboarding and snowboarding are discussed as aesthetic learning processes, which to a large extent are both bodily and informal. The paper builds on ethnographic fieldwork and cultural analysis. Kirsten Drotner’s theory of aesthetic practices is used as a starting point. Aesthetic practices/production works on three levels: the individual, the social and the cultural. The individual level is characterised in terms of emotional intensity and corporality. The sensation is described as so encompassing that it becomes ones life, ones identity. The body is acutely present in these descriptions. It is the body that experiences, and it is there that the sensation of riding comes alive.
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